This seminar aims to give you an overview of the history of the American romantic comedy – from early silent film entries and the Golden Age in the 1930s and 1940s to the later successful cycles of the 1990s and 2000s, to the genre’s eventual decline and possible re-emergence. We will examine how romantic comedy has continuously acted as a seismograph for changing social mores around issues of gender and sexuality, but also of class and race, and how the genre’s aesthetic pleasures have both served as an agent of dominant hegemonic power and subverted it. Three of the seminar sessions are reserved for film screenings.

contact: maria.odoevskaya@gmail.com